Little Boots @ Cabaret Voltaire with Sick Note

Kicking off a much-anticipated world tour, Little Boots’ premier gig at Cabaret Voltaire proved to be an explosive beginning.

Stricken City provided and energetic and playful act in support, grabbing the crowd’s attention away from the main event for the moment. However, it was not Stricken City that we were tightly packed into the hot dance floor to see.

After a dramatically long pause, Little Boots took to the stage to rapturous applause. The first thing that struck me was how petite Victoria Little is, and yet she was more than capable of captivating the crowd’s attention. Her electro style is given an edge through the use of a tenorion and stylophone, lending the music a sophistication that is evocative of Goldfrapp and The Knife. Catchy and infinitely dance-able, the crowd was mesmerised.

The climaxes of the night, ‘Meddle’ and ‘Symmetry’, brought on near-manic dancing and these perfectly executed pop songs left the crowd screaming out for more.

Little Boots played a half hour set, perfectly suited to satisfy the hot and impatient audience. This performance was a fantastic and very promising beginning for this highly ambitious and skilled performer. If this is the future of pop music, then I for one predict wonderful and exciting things ahead. 

Findo Gask @ The Voodoo Rooms

The latest offering from Glasgow, Findo Gask brought their snappy electro-pop to the Edinburgh Voodoo Rooms as part of the Limbo events showcase.

With as many synths as those that could play them, the music had a bright and cheerful electro quality that occasionally gave way to a harder rock edge. All brought with a healthy dose of effects that could rival Mario Kart. Lead singer Gerard Black’s voice rises over and above the complex melodies, sounding almost melancholy and soulful over such bright tunes. While not a contradiction, it does give the music a new dimension that sets it apart from your average electro pop act.

‘Doritos’ and ‘Va Va Va’ were the definite highlights of the set, both tunes demonstrating a fantastic texture of sound and inspiring delighted cheers from the crowd.

Playing their hometown in the coming week with Stricken City at the Captains rest and with a new 7”, OneEightZero, out for download now, this is a band with big aspirations and some charming tunes.

Full set list:

OneEightZero
Go Fast
Wrap
Dorito
Curio
Air
Va

If he's not calling you...

THE STAR-STUDDED He’s Just Not That Into You follows the inter-twining lives of five women and the men they encounter, living together in Baltimore. This bittersweet comedy examines the consequences of women misreading the ‘signs’ from the opposite sex, and of the abuses of trust in a relationship.

The story begins with the desperate Gigi, (Ginnifer Goodwin), always unlucky in love, and, slightly mad. Her numerous failed attempts at finding a man leads her into the path of club-owner Alex (Justin Long). Gigi intrigues Alex, and he begins to give her advice on dating, telling her when to run and saving her from the pain of waiting for a call that will never come. Then there is the beautiful singer, Anna (Scarlett Johansson). Able to string men along as she pleases, she uses Conor (Kevin Connelly) until she becomes bored and moves onto married-man Ben (Bradley Cooper). She succeeds in seducing him, and they begin an affair that destroys his marriage with his long-suffering wife Janine (Jennifer Connolly). Ben’s best friend Neil (Ben Affleck) has managed to avoid marrying his long-term girlfriend Beth (Jennifer Anniston) for five years. However, as she becomes more frustrated with his lack of commitment, she throws him out, consigning them both to a loneliness neither wants. The fifth strand of the tale follows Mary (Drew Barrymore), best friend of Anna and looking for love in the wrong places. Her ideals of being able to strike up a relationship on Myspace are naïve yet charming, and probably quite relevant now that everything you could want to have with a person can be done without having to meet them.

The film’s structure takes one aspect of the relationships within it, and then tries to answer the questions posed, such as ‘If he is not sleeping with you…’ or ‘If he is sleeping with someone else…’ close to the reality.

The film is quite enjoyable, and many of the characters succeed in finding the ‘one’ for them after so long a search. However, there is no happy-ever-after for some of these hapless characters, allowing the film to end on a sour note and a reminder of the fragility of love. The audience is left without the closure that is expected of such a film, and it forces us to question whether or not we ourselves can ever be the ‘exception’ in love, or if we are the ‘rule’, destined for unhappiness despite our best efforts. 

Mumford and Sons at Sneaky Pete's, Edinburgh

Mumford and Sons having been causing quite a stir in recent days, selling out their Edinburgh gig and one of their London dates.

Sneaky Pete’s was fit to burst with the influx of fans, whooping and yelling for the band. The Sons themselves look deceptively quiet, but as soon as they begin to play they break into an energetic and almost frenzied performance.

Following the same lines as the Arcade Fire, of a ‘play/hit everything and anything available’ policy, the sheer talent of the four band members and their multi-instrumental abilities was impressive. Within about a minute of being on stage the crowd was enthusiastically singing and stomping along. The banjo-come-electric guitar player was suitably eccentric, shouting, “Are we ready to wig out?” receiving gleeful cries of assent in return.

Amongst the most enjoyable tracks of the night were ‘Honour’, and ‘Little Lion Man’ from the Love Your Ground EP. ‘Dust for a Dance’ brought the gig to an end and a climax, leaving the crowd yelling out for more.

The hype is entirely justified on the back of this performance. They are not quite like any other band, and their originality makes them one to watch this year.

Their third EP is set for release in April.